London: J. M. Dent & Co., 1905. Full Leather. Quarto. xvi, 196 pp., frontis, plates. First edition. In later antiqued calf decorated in an Arts and Crafts style, the cover divided into compartments with stylized gilt leaves alternating with onlay and gilt chrysanthemums. A restrained but quite lovely design signed.....
New Haven: Editions Wequetequock Cove, 2006. Full Leather. Small folio (8.5" x 7"). [32] pp., illus. Limited edition, number 23 of 50 copies. Signed by Baltazar and Watsky. This copy sewn on meeting guards with silk endbands. Bound in dyed calf and finished with recessed stone veneer over sheep skiver.....
Berkeley, CA: Editions Koch, 2003. Full Leather. Folio. [44] pp., frontis, plates. Limited edition, one of 120 copies, this copy out of series; there are also 26 lettered, deluxe copies with a suite of 10 engravings. All are signed by Bringhurst, Wagener, and Peter Koch at the colophon. Bound by.....
San Francisco: Arion Press, 2022. Full Leather. Large quartos. 171, [1]; 27 pp., illus. Limited edition, number 52 of 250 "Fine Press" copies (50 Deluxe copies were also issued). Both volumes finely bound by American design binder, Robin Brandes. Phantasia in black, straight-grained goatskin with crimson doublures and gray suede.....
Monterey, KY: Larkspur Press, 2006. Full Leather. Octavo. [4], 36, [4] pp. Limited edition, number 9 of 75 copies on Somerset Book paper (there was also an edition of 500 regular copies). Signed by Wendell Berry at the colophon; additionally noted by Fox the year it was bound. In full.....
Old Stile Press, 2009. Full Leather. Folio. [56] pp., illus. Limited edition, number 193 of 195 copies, signed by Onken at the colophon. A skilled and imaginative design binder and a graduate of the American Academy of Bookbinding fine binding program, Brenda Gallagher has engaged with this modern telling of.....
New York: Crown Publishers, 1976. Full Leather. Octavo. [160] pp., illus. First edition, first printing, thus. Full bound in burgundy morocco with blind-tooling, sanding, and dyed and acrylic-toned goat onlays. Top edge gilt with sgraffito designed. Hand-woven silk endbands. Housed in clamshell box. In this binding, Brenda Gallagher has drawn.....
New York: Caliban Press, 2020. Full Leather. Tall octavo. [3 (blanks)], [44], [2 (prospectus)], [3 (blanks)] ll. Limited edition, number 5 of 100 copies, signed by McMurray. Originally issued by McMurray in a spiral binding with heavy printed wrappers; the printer notes that this was "[p]rinted on various scrap papers.....
New York: Printed by William Edwin Rudge for the Grolier Club, 1927. Full Leather. Quarto. [6], xxiii, [1], 208, [2] pp., illus. Limited edition, one of 390 copies. This copy bound by Don Glaister in full crimson goatskin with typographic design referencing Rogers's type design throughout the volume—a stylized A......
Paris: Chez Georges Visat, 1948. Full Leather. Octavo. 52, [6] pp., frontis, illus. Limited edition, number 195 of 225 copies. This copy bound by Monique Lallier in full calf with extensive leather onlay shapes referencing the style of Alanore's illustrations. Textblock is sewn on meeting guards with the original wrappers.....
Provo, UT: Tryst Press, 2011. Full Leather. Quarto. [32] pp., illus. Limited edition, one of 160 copies, this copy out of series. Bound by Katy Starr-Baum in tan goatskin; textblock is sewn on meeting guards with hand-embroidered silk endbands; binding with Hebrew lettering made up of hand-tooled gold dots which.....
San Francisco: Grabhorn Press, 1961. Folio. [4], 46, [2 (blank)] pp., illus. Limited edition, one of 180 copies. This copy bound by Katy Starr-Baum in full black calf with inlays of sanded aluminum and pained paper as well as onlays of buffalo, watersnake and stone veneer, all arranged in a......